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Stark, however, sees a young man who's too immature for his own good, ready, perhaps, to fight in a crunch but not someone reliable enough to be called an Avenger.

As Parker navigates the excitement of his prospects and pines after a girl (Laura Harrier), his best friend Ned (Jacob Batalon) discovers his secret masked, web-slinging identity. Most of the first half and much of the rest of the movie is built around dry humor that often get a laugh but grows a bit tiresome as the film seems ever more intent on generating laughter rather than showcasing action or building character.

How many scenes of Spider-Man using all his might and webs to hold up some in-peril bus or train or boat can audiences tolerate to watch?

How many special effects-supported villains can he fight?

The added depth is well worth that trade, however, as there's an appreciable, but still relatively minor, increase in nuance.

The same holds true for other shades seen throughout, notably the widely diverse colors in dense urban areas and school interiors.

There's a brief discussion between Peter and his friend Ned about the Spider-Man origins, but such begins and ends there.

And that's wise, not only wise because the character as-is has been previously established in another movie but because, frankly, as the third go-round for Spider-Man in well under two decades, there's no point in rehashing the same thing that audiences have seen before.

Parker's relationship with Tony Stark/Iron Man is the movie's highlight.On the other side, Stark, less outwardly infectious than the overeager Parker, sees in the boy an opportunity to mold someone in a way his father never could with him.Yes Stark is a success, but he finds in the boy an opportunity to be the father figure his never was and he may never be unless he and Pepper Potts get down to business at some point soon.On one side, Parker has more than a bit of hero worship going on.He wants nothing more than to be a key cog in Stark's life both as a person and as an Avenger.

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